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In the years following the success of his novel Dracula, Bram Stoker took on an even more ambitious creative feat: combining mystery, romance, adventure, Gothic atmosphere, and supernatural elements in one gripping tale. The end result of this process of experimentation was The Mystery of the Sea. If you’re a fan of Stoker’s fiction or a sucker for classic action-adventure, add this to your must-read list.
620 pages with a reading time of ~9.50 hours (155209 words), and first published in 1902. This DRM-Free edition published by epubBooks, 2014.
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I had just arrived at Cruden Bay on my annual visit, and after a late breakfast was sitting on the low wall which was a continuation of the escarpment of the bridge over the Water of Cruden. Opposite to me, across the road and standing under the only little clump of trees in the place was a tall, gaunt old woman, who kept looking at me intently. As I sat, a little group, consisting of a man and two women, went by. I found my eyes follow them, for it seemed to me after they had passed me that the two women walked together and the man alone in front carrying on his shoulder a little black box–a coffin. I shuddered as I thought, but a moment later I saw all three abreast just as they had been. The old woman was now looking at me with eyes that blazed. She came across the road and said to me without preface:
“What saw ye then, that yer e’en looked so awed?” I did not like to tell her so I did not answer. Her great eyes were fixed keenly upon me, seeming to look me through and through. I felt that I grew quite red, whereupon she said, apparently to herself: “I thocht so! Even I did not see that which he saw.”
“How do you mean?” I queried. She answered ambiguously: “Wait! Ye shall perhaps know before this hour to-morrow!”
Her answer interested me and I tried to get her to say more; but she would not. She moved away with a grand stately movement that seemed to become her great gaunt form.
After dinner whilst I was sitting in front of the hotel, there was a great commotion in the village; much running to and fro of men and women with sad mien. On questioning them I found that a child had been drowned in the little harbour below. Just then a woman and a man, the same that had passed the bridge earlier in the day, ran by with wild looks. One of the bystanders looked after them pityingly as he said:
“Puir souls. It’s a sad home-comin’ for them the nicht.”
“Who are they?” I asked. The man took off his cap reverently as he answered:
“The father and mother of the child that was drowned!” As he spoke I looked round as though some one had called me.
There stood the gaunt woman with a look of triumph on her face.
The curved shore of Cruden Bay, Aberdeenshire, is backed by a waste of sandhills in whose hollows seagrass and moss and wild violets, together with the pretty “grass of Parnassus” form a green carpet. The surface of the hills is held together by bent-grass and is eternally shifting as the wind takes the fine sand and drifts it to and fro. All behind is green, from the meadows that mark the southern edge of the bay to the swelling uplands that stretch away and away far in the distance, till the blue mist of the mountains at Braemar sets a kind of barrier. In the centre of the bay the highest point of the land that runs downward to the sea looks like a miniature hill known as the Hawklaw; from this point onward to the extreme south, the land runs high with a gentle trend downwards.
Cruden sands are wide and firm and the sea runs out a considerable distance. When there is a storm with the wind on shore the whole bay is a mass of leaping waves and broken water that threatens every instant to annihilate the stake-nets which stretch out here and there along the shore. More than a few vessels have been lost on these wide stretching sands, and it was perhaps the roaring of the shallow seas and the terror which they inspired which sent the crews to the spirit room and the bodies of those of them which came to shore later on, to the churchyard on the hill.
If Cruden Bay is to be taken figuratively as a mouth, with the sand hills for soft palate, and the green Hawklaw as the tongue, the rocks which work the extremities are its teeth. To the north the rocks of red granite rise jagged and broken. To the south, a mile and a half away as the crow flies, Nature seems to have manifested its wildest forces. It is here, where the little promontory called Whinnyfold juts out, that the two great geological features of the Aberdeen coast meet. The red sienite of the north joins the black gneiss of the south. That union must have been originally a wild one; there are evidences of an upheaval which must have shaken the earth to its centre. Here and there are great masses of either species of rock hurled upwards in every conceivable variety of form, sometimes fused or pressed together so that it is impossible to say exactly where gneiss ends or sienite begins; but broadly speaking here is an irregular line of separation. This line runs seawards to the east and its strength is shown in its outcrop. For half a mile or more the rocks rise through the sea singly or in broken masses ending in a dangerous cluster known as “The Skares” and which has had for centuries its full toll of wreck and disaster.